It quickly became my first-choice EQ plug-in, and I’ve spent much of the last four years happily popping Pro-Qs into insert slots. Simple, informative, flexible and unhampered by trying to look like a piece of hardware from 1968, Pro-Q made it easy to do whatever needed doing, whether that was gentle tonal correction, notching out an annoying resonance, clearing up a muddy low end or any of the other innumerable tasks for which one might reach for an equaliser. When the original version of Fabfilter’s Pro-Q was released in 2011, it had probably the best user interface of any EQ plug-in I’ve seen. I normally dismiss the plug-ins that come standard with all.įabfilter’s Pro-Q already did everything an EQ should do - so what can they have added in version 2? I have always been a big fan of 3rd party plugins from companies such as FabFilter, Waves, McDSP and Universal Audio. I was recently asked to mix a song using nothing but the bundled plug-ins that come with Studio One Professional.
Comparing The Presonus Pro EQ to Fabfilter’s Pro Q2.Akai MIDImix + Logic pro x + Fabfilter pro q2 + Logic Compressor custom controller assignments.Swain Music - recording & production (Milano, Italy)Contacts:h.
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